Rabu, 29 Desember 2010

[T335.Ebook] PDF Ebook Widow's Weeds: Lessons Learned From The Death Of A Partner, by Lisa Courtney

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Widow's Weeds: Lessons Learned From The Death Of A Partner, by Lisa Courtney

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Widow's Weeds: Lessons Learned From The Death Of A Partner, by Lisa Courtney

Widow's Weeds: Lessons Learned from the Death of a Partner is a series of stories that paint a picture of one woman's experience of dealing with the illness and death of the man she loved. Lisa's off-beat sense of humor coupled with her admitted sense of fear and frustration make the journey the reader takes with her entertaining at times, sad and poignant at others. There are moments of laugh-out-loud humor mixed with somber tales of fear, exhaustion and loneliness-a more than fair reckoning in a long-term and often grueling process that, like the rest of human life, has no failsafe user's manual for managing the experiences inherent in loss and grief. Here's the hook: each story Lisa tells speaks to an issue related to the losing of or the loss of a partner. The initial importance of each issue will vary, according to the reader's own experience, level of awareness, and place in his or her private encounter with loss and grief. There is a comfortable familiarity the reader eases into before the end of the second story; Lisa's almost wistful but definitely conspiratorial "But that's not what I meant to tell you. What I meant to tell you was..." draws the reader in. There's a sense that Lisa will understand what the reader is dealing with; she makes it clear that, especially in dangerous, uncharted waters, there is safety in numbers. Lisa doesn't pretend she has all the answers; in fact, she complains that she hasn't even defined all of the questions. She shares her stories in the hope that she can shed a little light to make the night seem a little less dark; she's spent time groping for matches, too, and knows how it feels. Lisa's stories are sometimes sore to the touch; she takes the reader into the examining room the day her husband Tony's cancer is diagnosed, into the waiting room during his multiple surgeries, into the mortuary after he's gone. She quietly confides her anxiety over the ways she's changed since Tony's death. Her stories are also ironic and funny; there is verbal fencing as Tony and Lisa debate what his last words might be, how they (well, how she) should spend his life insurance money, and just how far Lisa will go to try and save the day during their very last fight. There are hundreds of books about death, the dying process, the grieving process, and the struggle to move through the world without a beloved partner. This one is unique in its unabashed, wholly unapologetic, irreverent candor, filtered through the awareness and personality of an unwilling participant who even now can think of ten things she'd rather have been doing instead. Its approach is moody and funny, pain-streaked and pensive, and most readers looking for someone to keep them company during the harsh nights of hopeful survivorship will be glad they found Widow's Weeds: Lessons Learned from the Death of a Partner.

  • Sales Rank: #1761279 in Books
  • Published on: 2015-04-27
  • Original language: English
  • Dimensions: 9.00" h x .38" w x 6.00" l,
  • Binding: Paperback
  • 166 pages

About the Author
Born in the Main Line area outside of Philadelphia, Lisa has lived in Los Angeles and Seattle, where she worked at Microsoft for many years, mostly to support her writing habit. Lisa has written several screenplays, a novel, two books of poetry, a children's book, and a collection of short stories. She edited a book of short fiction for Evergreen Publishing, called Voices in the Trees. (There are plenty of copies left if you want one.) She also regularly writes a blog, A Splash of Courtney Ink, which is followed by a faithful if slightly twisted audience. These days, Lisa lives in the Seattle area with four cats and one man. You can find her online at www.courtneyink.com. The first book in her Year and a Day trilogy, The Court Singer, will release in early 2015

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2 of 2 people found the following review helpful.
Very helpful
By k t
I cried and I laughed with Lisa. Her story was so similar to mine that it made me feel less isolated. A wonderful book, both tragic and beautiful moments throughout.

1 of 1 people found the following review helpful.
Comfort with an uncomfortable topic
By PDXjane
Dying, it's what we all must do but it is rarely talked about, rarely given time to process all its implications with our fellow human. We have our own thoughts and fears and when left within ourselves it can be so big, painful and isolating. Lisa brings it out in small manageable pieces, laying bare her journey and in that process was able to give the reader a message of how to cope, how to `live' with it. It's written in such a way that you don't feel you can't face those dark truths, everyone can find themselves in these stories somewhere, along with the whole gamut of our human emotions!

This book is valuable not just for those that have someone who is dying, just passed, or in the process themselves, it's for all us humans. Begin to know peace with our inevitability, learn how to help and understand if you are in the presence of others in this very final process. Read it for yourself; pass it on as a gesture of understanding to any and all.

1 of 1 people found the following review helpful.
Must read for all people going through the death of a partner
By Nancy A. Ufkes
Lisa gives her husband the ultimate fan mail with this book. She also details her REAL emotions and challenges through the process. Nothing is left out. I read the book in a weekend because I couldn't put it down, and although it made me cry many times, it also gave me hope.

Losing a spouse to death as Lisa has cannot be easy. But the real test of bravery is in how she has dealt with it. She is succeeding, she is thriving. She has moved on as her husband would have wanted her to do. And this book is a testament to not only Lisa's love for her husband, but her respect for what he would have wanted her to do. He wanted her to move on.

I think every woman or man who is mourning the loss of a spouse should read this book. Then meet Lisa, who is just about the biggest jolt of joy on the planet. She never forgets her husband, she celebrates him. And this book is a big part of the celebration.

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Sabtu, 25 Desember 2010

[Z363.Ebook] Get Free Ebook Baseball Playbook, by Ron Polk

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Baseball Playbook, by Ron Polk

SIGNS, STRUCTURED BASEBALL PRACTICE SESSIONS, DRILLS, BUNT DEFENSE, DOUBLE STEAL DEFENSE, PICK-OFF, FORCE PLAYS, FLY BALL, BASERUNNING, SLIDING, RUNNING, 1ST BASE COACH, HITTING, PITCHING, CATCHING, INFIELD PLAY, OUTFIELD,

  • Sales Rank: #454533 in Books
  • Published on: 1982-02
  • Number of items: 1
  • Binding: Paperback
  • 520 pages

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22 of 22 people found the following review helpful.
Must buy for any baseball coach
By A Customer
Ron Polk breaks the game of baseball down not only position by position, but all aspects of the game off the field. A veteran college coach and one of the most respected men in the game, Polk gives excellent tips for coaches of all levels, from the first day of practice to the final game of the postseason tournament. The former Mississippi State coach is still a popular speaker on the clinic tour and after reading the book, one will understand why. Not only does Polk discuss teaching fundamentals and game strategies, but also gives excellent ideas and points on the "behind-the-scenes" aspects of the game - everything from organizing tournaments and field maintainence to dealing with the local officiating associations, fans, and bringing in support staff to help run a smooth program. Polk even includes ready-to-copy charts and forms for player information, public address announcers, game schedules, equipment managing, and setting up and enforcing team policies. If you're looking for big-names and shiny pictures, forget it - this book is for serious coaches....and Polk doesn't leave any aspect of coaching in an organized baseball league uncovered.

6 of 6 people found the following review helpful.
The Best Survey Book on Coaching
By David Sprowl
This work is all a coach needs to organize and run a successful program. It includes all the charts and referances you'll ever need. Included are diagrams for all defense situations and a drill series that covers every necesaary defense skill.

1 of 1 people found the following review helpful.
Must Own
By secondbaser
If you coach baseball you need to own this book. It is a worthwhile investment that if utilized, it will help you as a coach cover all bases in programming your team. I now have somewhat of a checklist to help me in developing my team's philosophy. Very detailed and immense help.

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Selasa, 21 Desember 2010

[S946.Ebook] Free Ebook Moneywood: Hollywood in Its Last Age of Excess, by William Stadiem

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Moneywood: Hollywood in Its Last Age of Excess, by William Stadiem

As wild and sexy and over the top as the decade author William Stadiem brings to life, Moneywood is the inside story of Hollywood producers in the '80s.

From box office hits like Beverly Hills Cop, Top Gun and Batman to film flops like Heaven's Gate, Howard the Duck and Leonard Part 6, Hollywood was never more excessive than it was in the 1980s. In this, the Moneywood era, the industry purse strings were not controlled by reasonably consenting adults but by pop culture cowboys who couldn't balance their own checkbooks. What they could do was sweet talk the talent, seduce the starlets, snowball the Japanese and slither out of Dodge when the low grosses trickled in. Their out of control lifestyles and know-nothing, raging narcissistic personalities make the original brutal studio heads like Sam Goldwyn and Jack Warner seem like Oxford dons. Yet, for all their entertainment flops, these Scoundrels of Spago turned movies into a Big Business that was catnip to Wall Street. They were The Producers, and they were way beyond anything Mel Brooks could dream up.

The Moneywood cast of characters includes:

-Simpson and Bruckheimer; Guber and Peters; Eisner/Katzenberg/Ovitz: the marquee teams of the era

-Mario Kassar and Andy Vajna, the Rambo boys, who went from making wigs to making blockbusters.

-David Begelman, the embezzler, gambler and sex addict who was rewarded for his sins by getting to run both Columbia and MGM.

-David Puttnam The high-toned English advertising whiz who was supposed to raise the Hollywood bar, but ended up barred from Hollywood.

Moneywood is the ultimate expose of the real hit men of Hollywood's go-go decade.

  • Sales Rank: #3044724 in Books
  • Published on: 2014-01-21
  • Released on: 2014-01-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.86" h x .93" w x 7.14" l, .87 pounds
  • Binding: Paperback
  • 336 pages

About the Author

WILLIAM STADIEM is the author of eight books, including the bestselling Marilyn Monroe Confidential; Dear Senator; and Mister S: My Life with Frank Sinatra. A Harvard JD-MBA, he abandoned Wall Street for Sunset Boulevard, where as the screenwriter for Franco Zeffirelli's Young Toscanini, he wrote one of the biggest flops of the 80s. As a screenwriter, a columnist for Andy Warhol's Interview, and the restaurant critic for Los Angeles, Stadiem has enjoyed a ringside seat for the decadence and outrageousness he recounts in Moneywood. He lives in Santa Monica, California.

Excerpt. � Reprinted by permission. All rights reserved.
CHAPTER 1


CAPITAL HILL

WITH THE EXCEPTION of the McCarthy witch hunt, the public face of Hollywood had never before seemed as Republican as it did on the night of January 19, 1981. The scene was the ball celebrating the next day’s inauguration of America’s first “Hollywood” president, Ronald Wilson Reagan. Reagan had been California’s first Hollywood governor. His way had been paved by the state’s first Hollywood senator, song-and-dance man (and, incongruously, Yale man) George Murphy. Reagan in turn would pave the way for California’s second Hollywood governor, strong-and-death man Arnold Schwarzenegger. Both Murphy and Schwarzenegger were, coincidentally, also Republicans.
But that was California, which was on the cutting edge, and this was America, which for all its fascination with the silver screen was always wary of liberal, Jewish, bleeding-heart, foreign-seeming, and overwhelmingly Democratic Hollywood. Ronald Reagan had overcome the country’s prejudices by repackaging himself as the nativist, conservative, Knute Rockne, All American version of the Hollywood dream. He was the pioneer, and the master, of channeling celebrity for right-wing political purposes, just as John F. Kennedy had done it for liberal ones, albeit without having been a member of the Screen Actors Guild, of which both Reagan and Murphy had been president.
A major sign of the new times was that Reagan’s inaugural gala was being staged by the same man who had staged JFK’s glamorous kickoff exactly twenty years before, none other than Frank Sinatra. In 1961, Ol’ Blue Eyes, who at forty-five wasn’t all that old at the time, assembled a dream team of superstars to create the very first Hollywood inaugural. He had everyone from Sir Laurence Olivier to Louis Prima, Bette Davis to Keely Smith, Fredric March to Milton Berle, not to mention a phalanx of black talent that included Ella Fitzgerald, Nat King Cole, Harry Belafonte, and Sidney Poitier. The most conspicuously absent black superstar was Sinatra’s fellow Rat Packer Sammy Davis Jr., who had been barred from the event by Big Daddy Joe Kennedy for marrying the Aryan Swedish goddess May Britt. Even Democrats had their limits. Now Ol’ Blue had become Ol’ Red, a Republican converso. With his new affiliation came a new appellation, Chairman of the Board, more appropriate to his new political party and to his seniority of sixty-five years. To Kennedy he brought Mahalia Jackson; to Reagan he brought Mister T.
Bloated and crowned with one of the worst toupees in a lifetime of cover-ups, the superstar introduced the television star of The A-Team, who looked like a psychedelic version of a sommelier in Brazzaville. In a foreshadowing of Reaganomics, Sinatra quipped that “if he decides to melt down all his gold chains, he could wipe out the national deficit.” Mister T bowed to Mister S and recalled that he had last been to the White House to play Santa Claus for Jimmy Carter, and now he was back. “Where else but in America,” he exulted, “can a black man from the ghetto play a white man from the North Pole?” He brought down the house of millionaires.
The big evening, held in a basketball arena in Landover, Maryland, home of the Washington Bullets, was like an extended television special, a middling night on Ed Sullivan. Johnny Carson co-emceed with Sinatra, but he wasn’t swinging for the fences. There was Rich Little, a Republican favorite for his impressions of Richard Nixon, who was surely having the last laugh tonight, though not here. There were Donny and Marie Osmond and Debby Boone and Mel Tillis, the stuttering country singer who had turned his impediment into stardom.
In addition to Mister T, there were numerous other awkward nods to black power, Republican style: Donny Osmond tried, in vain, to channel Chuck Berry by not quite duckwalking the stage and singing “Ronnie B. Goode.” Charley Pride channeled Hank Williams, after expressing his deep gratitude to “Miz Nancy” for inviting a poor Delta boy to this Holy Land. Ben Vereen, channeling Stepin Fetchit, put on a kind of minstrel show, covering his visage with a seemingly superfluous layer of blackface while singing (cringe) “Waitin’ for the Robert E. Lee.”
The only duplication from the Kennedy gala was Ethel Merman, unsinkable at seventy-three and way above and beyond party, belting out “Everything’s Coming Up Roses.” Old Hollywood was represented, sparsely, by Charlton Heston, channeling Moses; by Bob Hope, still game at seventy-eight; and by James Stewart, then seventy-three, who had become a brigadier general in the U.S. Air Force Reserve. Stewart stood proudly beside a real supergeneral, Omar Bradley, at eighty-seven the last of the five-star commanders. Dean Martin was in the front row, drunk. The press was not kind. One critic compared the show to Hee Haw (meow).
Here, in all its Republican lack of glory, was Hollywood taking over Washington. But whose Hollywood was it, anyway? Not the New Hollywood of Spielberg, Lucas, and Coppola, whose blockbusters were the only hope of rescuing a moribund feature film industry. Those auteurs were all Democrats, as were the so-called baby moguls, a bunch of ex–student radicals turned studio executives who were green-lighting offbeat fare like Animal House and Airplane!
No, the Hollywood that conquered Washington was the Hollywood of the second chance, the Hollywood of television, which was the new cash cow of entertainment. Look at Reagan himself. A basic B-actor turned TV presence was now commander in chief. It was big-time for Bonzo. The same thing was happening in the entertainment business: TV was taking over. B-actors and -actresses, finding themselves irrelevant on the big screen—which was itself in danger of becoming irrelevant unless it became even bigger—were getting remarkable resurrections on the small. Television was the reanimator. What F. Scott Fitzgerald had written about there being no second acts in American life was totally wrong. TV was the miracle. Ronald Reagan was Exhibit A.
The hunky heartland sportscaster had beaten long odds once to get a Warner Brothers contract, but then, despite entering the movie lexicon as “the Gipper,” he never became the Gable-level star he wanted to be, ending up on the tube in Death Valley Days. Furthermore, he was eclipsed, if not emasculated, by his first wife, Jane Wyman, who had won an Oscar for Johnny Belinda in 1948 at a time when Ronnie could barely get a role and ended up co-starring with a monkey. They divorced that year. Wyman, like her ex, would wind up on television on her own show, Jane Wyman Presents The Fireside Theatre, and ultimately on Falcon Crest, where she, too, was resurrected and won a Golden Globe.
Not even television could salvage the career of Nancy Reagan, who had re-created herself as a Republican social lioness. Quickly rebounding from Wyman, Reagan had remarried, in 1952, Nancy Davis, a Chicago society girl and a Smith College Seven Sister who had her own insuperable struggles in the thespian game. Before marrying security and class in her stepfather, a prominent if fanatic right-wing neurosurgeon, Nancy’s mother, Edith, was a struggling actress herself, who had abandoned Nancy to her sister so she could go on the road and chase her dream, which Nancy also inherited.
Using her mother’s showbiz connections, Nancy was able to get a screen test through Benny Thau, MGM’s resident casting gatekeeper and master of the quid pro quo. How much quid Nancy had to surrender for Benny’s quo cannot be known, but they did go out a lot. In the end, it came to naught but a few minor roles. Nancy was coming into the business in the early 1950s, a time when gentlemen preferred blond bombshells like Marilyn Monroe and Jayne Mansfield. No match for Grace Kelly or Eva Marie Saint in the social ice goddess department, Nancy was dismissed as a poor man’s Dina Merrill. Ironically, the best Dina Merrill, the genuine Post Toasties heiress, could do was marry Cliff Robertson, the man who played JFK (in PT 109), while Nancy’s husband would succeed JFK and make Nancy, the lost lady of Hollywood, the First Lady of America. The country liked comebacks and they liked winners, and the Reagans were providing it in spades.
Frank Sinatra had long ago made his comeback, from washed-up singer of novelty ditties with dogs (“Mama Will Bark”) to 1954 Oscar winner in From Here to Eternity. Now he was making his turnaround. No one could have ever been a bigger and better Democrat than the underdog, up from nothing Italian Hoboken crooner and civil rights champion whose mother, Dolly, had been a ward heeler. Sinatra liked to take credit, among his friends, for having done more to get his buddy John F. Kennedy elected (as well as laid) than anyone except maybe Sam Giancana, who was said to have “fixed Chicago” for JFK. Ah, that toddlin’ town.
But what one Kennedy giveth, another taketh away. Bluestocking Bobby, as much as he might have liked Marilyn Monroe, whom he had met through Sinatra, couldn’t stand the stain of Ol’ Blue’s gangland ties, particularly with Giancana. Although Sinatra had redecorated his Palm Springs estate to turn it into JFK’s informal western White House, Bobby put the nix on his brother’s travel plans and arranged for John to stay instead chez Bing Crosby. Crosby was Sinatra’s idol as well as his rival, and the unkindest cut of all was that he was also a Republican. Then again, so were a lot of stars, and not just John Wayne. Many of the giants were Republicans—Gable, Grant, Stewart, Mitchum, Holden, Hudson, plus Crosby’s Road partner, Hope, and Lucy and Desi, and even Elvis the King.
The great moguls who built the studios, Warner, Mayer, Goldwyn, despite thei...

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6 of 7 people found the following review helpful.
Sovereign Antitidote for January Gloom!
By Spirit of Milton Berle
I loved this book. It's like "Survivor" in Hollywood, with a Harvard sophisticate trying to survive among a mad tribe of starlet-flesh-eating Ferrari drivers. This is one of the best showbiz books ever written, a true life "What Makes Sammy Run." Funny, smart and true.

5 of 6 people found the following review helpful.
"That was California, which was on the cutting edge, and this was America."
By Amelia Gremelspacher
America was fascinated with the movies but didn't so much like "liberal, Jewish, bleeding heart, foreign-seeming, and overwhelmingly Democratic Hollywood." This story opens in 1980 when Reagan was forming his "kitchen cabinet." A cabal of Republican best friends who coincidentally also ruled the newly minted Republican Hollywood.

This book reads more like a "Vanity Fair" story than a tabloid. Although the stories have some lurid content, the emphasis is not on the sensational, rather on the workings of excess behind the entertainment industry. The numerous cameos reveal humanizing elements of the wealthy, who are indeed different than we. Actually my favorite one occurs early in the book is about Nancy Reagan and her posse of blonde, chic, skinny blondes. The maitre d had to keep a cheat sheet with pictures to make sure he had the right power luncher.

This book offers an enticing look on now money, cronyism, and power entwine to dominate the movies and TV shows we all watch. The trail of money is deeply explored and the results are stranger than fact.

3 of 4 people found the following review helpful.
Funny, sexy, and informative
By John
[...]I loved it. Got a big kick out of the book. It woke me up to a world that I had never imagined was so complex. Plenty of Hollywood insights, bio's and the overall esoteria of Tinsel Town. Highly recommended, a fun trip

Freddy Bentivegna and John Bosnak (protege of Fred)

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[Y167.Ebook] PDF Download Symphonies Nos. 22-34 in Full Score (Dover Music Scores), by Wolfgang Amadeus Mozart, Music Scores

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Symphonies Nos. 22-34 in Full Score (Dover Music Scores), by Wolfgang Amadeus Mozart, Music Scores

Mozart wrote the 13 symphonies reprinted in this volume in Salzburg and Paris from 1773 to 1780. A number of the earlier works are Italianate in inspiration, in three-movement form, with brisk figures and simple textures. Two of these — Symphony No. 25 in G Minor (the "Little G Minor") and Symphony No. 29 in A Major — display emerging powers that clearly mark the young composer's rise from musical prodigy to great composer.
Mozart's visits to Munich, Mannheim, and Paris enriched his musical experience, and the later symphonies from these years reveal his growing command of international styles. At whatever moment these masterworks arose in Mozart's musical development, each bears the unmistakable stamp of his genius. Some are among the most performed and recorded works in the orchestral repertoire. All are reprinted here from the authoritative complete-works edition published by Breitkopf & H�rtel.

  • Sales Rank: #1006966 in Books
  • Brand: Dover Publications
  • Model: 06-266753
  • Published on: 1991-04-01
  • Released on: 1991-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.50" h x 9.50" w x .75" l, 1.77 pounds
  • Binding: Paperback
  • 288 pages
Features
  • ISBN13: 9780486266756
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
A child prodigy who blossomed into the Classical era's most influential composer, Wolfgang Amadeus Mozart (1756–91) wrote more than 600 works in his brief life. His oeuvre encompasses a wide variety of genres, including symphonic, chamber, operatic, and choral music.

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2 of 2 people found the following review helpful.
Excellent
By A Reviewer
There isn't much to say about a score, except that Dover consistently does them perfectly. And Mozart's Symphonies Nos. 22 - 34 is no exception: the user-friendly format and legible music make for the highest quality score available today. If you want to see some of Mozart's greatest symphonies in their purest forms, do not delay in purchasing this one. You cannot go wrong with Dover.

1 of 1 people found the following review helpful.
Wonderful Mozart Score
By Hermes Camacho
A very easy to read and comprehensive score to Mozart's middle symphonies. It's durable and the print is large (9x12). It lays flat for study or enjoyment. It's a must for both professionals, students, and listeners.

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Minggu, 12 Desember 2010

[K190.Ebook] PDF Download Handholding: 5 Kinds, by Tracie Morris

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Handholding: 5 Kinds, by Tracie Morris

Poetry. African & African American Studies. Performance Studies. Hybrid Genre. Music. Foreword by Charles Bernstein. Includes digital download code for audio. HANDHOLDING: 5 KINDS is a collection of experimental poetry as a creative response to 5 artistic works by innovative American, African diaspora and European-based artists' work: Kurt Schwitters' Ursonate (recited by his son, Ernst), Gertrude Stein's Tender Buttons, John Akomfrah's 7 Songs for Malcolm X, John Cage's 4'33 and Stanley Kubrick's Eyes Wide Shut. Each of these pieces strongly contextualizes Morris' own work and practice, dealing with the undertones and overtones of race, sexuality, class, gender, ethnicity, power and art-making. Each section is introduced as a reflection of what each piece means to the author and how they came about. The collection contains experimental text as well as 6 audio files (17 digital tracks). One is a "real time" response to the Kubrick film, the other is a collection of sound pieces inspired by the other artists, often recitations of the page-based texts. This is the first text and sound collection of Tracie Morris' that is comprised of exclusively experimental work inspired by other innovative artists.

  • Sales Rank: #1514995 in Books
  • Published on: 2016-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x .50" l, .0 pounds
  • Binding: Paperback
  • 128 pages

About the Author
Tracie Morris is a poet, singer, critic, scholar, bandleader and actor. She holds an MFA in Poetry from Hunter College, has studied classical British acting technique at the Royal Academy of Dramatic Art in London, American acting technique at Michael Howard Studios, is an alum of Cave Canem's prestigious summer residency as well as residencies at MacDowell, Millay and Yaddo. She holds a PhD in Performance Studies from New York University. Her work has been presented at the Whitney Biennial, Ron Feldman Gallery, The New Museum, Philadelphia Museum of Art, Museum of Modern Art and Dia: Chelsea and dozens of musical recording projects. Her books include Intermission, RHYME SCHEME (Zasterle Press, 2012) and HANDHOLDING: 5 KINDS (Kore Press, 2016) and is co-editor of Best American Experimental Writing (2016) with Charles Bernstein. Tracie is Professor and Coordinator of the MFA program in Performance + Performance Studies at Pratt Institute, Brooklyn, New York.

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0 of 0 people found the following review helpful.
Fantastic, innovative
By Richard W. Byrd
Fantastic,innovative,mesmerizing,are but a few of the adjectives that came to mind as I read this brilliant work. I consider this a must read for all.

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[S749.Ebook] PDF Download Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10, by Marcus Luttrell, Patrick Robinson

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Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10, by Marcus Luttrell, Patrick Robinson

Four US Navy SEALS departed one clear night in early July, 2005 for the mountainous Afghanistan-Pakistan border for a reconnaissance mission. Their task was to document the activity of an al Qaeda leader rumored to have a small army in a Taliban stronghold. Five days later, only one of those Navy SEALS made it out alive.

This is the story of the only survivor of Operation Redwing, SEAL team leader Marcus Luttrell, and the extraordinary firefight that led to the largest loss of life in American Navy SEAL history. His squadmates fought valiantly beside him until he was the only one left alive, blasted by an RPG into a place where his pursuers could not find him. Over the next four days, terribly injured and presumed dead, Luttrell crawled for miles through the mountains and was taken in by sympathetic villagers who risked their lives to keep him safe from surrounding Taliban warriors.

A born and raised Texan, Marcus Luttrell takes us from the rigors of SEAL training, where he and his fellow SEALs discovered what it took to join the most elite of the American special forces, to a fight in the desolate hills of Afghanistan for which they never could have been prepared. His account of his squadmates' heroism and mutual support renders an experience for which two of his squadmates were posthumously awarded the Navy Cross for combat heroism that is both heartrending and life-affirming. In this rich chronicle of courage and sacrifice, honor and patriotism, Marcus Luttrell delivers a powerful narrative of modern war.

  • Sales Rank: #1970 in Audible
  • Published on: 2012-05-01
  • Format: Unabridged
  • Original language: English
  • Running time: 861 minutes

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10 of 10 people found the following review helpful.
Our Remarkable Soldiers
By BettyLou
This book was a tremendous story, and I highly recommend it. The horror this young man, and his buddies went through is hard to fathom. What our military put these young men through is hard for any common person to comprehend. It was amazing that he lived. He lost three of his best friends, and barely lived to tell the story. This book is a must read because for one thing, the movie that was made about his ordeal is not completely accurate. The story didn't need to be embellished, but the movie makers thought their vision of what happened was better than that of Marcus Luttrell, and they were very wrong. By reading the book, I knew what actually happened, and it was more intriguing than what the movie portrayed. Some people will never read the book so I guess the movie will give them some idea what it was like, but the book tells the real truth. Marcus' story telling ability kept me riveted to my seat, and brought tears to my eyes to hear what terrible things these young men had to endure. I hope that lots of people will read this book written by a remarkable young soldier.

5 of 5 people found the following review helpful.
Compelling story that will fill you with pride for our military heroes.
By S. Randall
I bought this book for my husband, who is currently serving in the U.S. Army. He greatly enjoyed it, and so did I. It's an easy read, but it will hold your attention until the end. It starts out by walking you through SEAL training, which allows you to understand just how difficult it is for the men to make it through in the first place.
Then the book shifts gears and discusses the first-hand account of a battle in Afghanistan that will quickly make you realize why SEAL training is so grueling and give you a new appreciation for our men and women in uniform. The story is told in a way that keeps you captivated, but also teaches you a lot. It's very well written. If you enjoy true stories of military heroism or you're just looking for an interesting historical read, this book is a great choice. It will certainly be read by generations. I would recommend this book for adults or older teenagers (15 or above). It's a great read, and I know I will revisit this book again in the future.

2 of 2 people found the following review helpful.
this book is a good choice and well worth your time
By Michael Tatay
This book is so tremendous that once I started reading, I couldn’t put it down. For anyone who loves reading stories about patriotism and military, this book is a good choice and well worth your time. It is about a journey of Marcus Luttrell—the author, also is the only survivor of Operation Redwing mission. The author describes remarkable and miserable details of what his team encountered on the mountain and how sorrowful he was to lose his partners. Yet he still set an example of having courage and persistence to finish missions. What a Tragic ending! Marcus Luttrell as well as his fallen comrades worth being respected and the spirit of patriotism and persistence can still be seen in the young generation.

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Jean Haines' Atmospheric Watercolours: Painting with Freedom, Expression and Style, by Jean Haines

Jean Haines’ enthusiasm for watercolours burst through every page of this inspirational book that will guide you, step by step, to creating beautiful and unique paintings of your own, whatever your ability.

  • Sales Rank: #76432 in Books
  • Brand: Books
  • Published on: 2012-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x .80" w x 8.70" l,
  • Binding: Hardcover
  • 176 pages
Features
  • instruction for painting with freedom, expression and style

Review
"If nothing else, Jean's work is sure to inspire you to let go of some of your inhibitions. It simply dazzles on the page and makes you want to grab your brushes and get going straight away." --"Leisure Painter" (July 2012)

From the Inside Flap

"It simply dazzles on the page and makes you want to grab your brushes and get going straight away." --"Leisure Painter" (July 2012)

About the Author
Jean Haines is a watercolor artist who regularly exhibits her paintings and hosts watercolor workshops for artists from all over the world. She has won many awards for her work, most recently the Society for All Artists' Professional Artist of the Year, Experimental and Abstract Award. She is the author of "How to Paint: Colour & Light."

Most helpful customer reviews

84 of 84 people found the following review helpful.
You should own this book!
By Jessica Johannesen
This book is absolutely amazing.

Jean paints with more water than pigment and this book shows you how she does it - and makes it easy for you to learn her abstract, impressionist no rules approach and apply it to your own work. She shares all her knowledge and doesn't hold anything back. I recently took a workshop with Jean and this book is like having her in my studio - tips, advice and how to's all in this book.

If you are looking to break out of your box, enjoy painting, be fearless and stop creating perfectly perfect watercolor paintings - if you want to have fun painting and really look foreword to getting to paint every day then you should buy this book.

This book has lots of step by step pictures and she explains her techniques really well. You won't be disappointed with this purchase.

52 of 53 people found the following review helpful.
essential teaching book
By music lover
I've been painting for 10 years and found this book very enlightening and easy to follow. Ms. Haines teaches in a very compelling way, explaining in detail, her excitement and methods of learning to paint loose, with superior results. I ordered another book for a friend who is following all the examples with astounding results. Both she and I are very p0leased with Jean Haines' book. Amazon was the key to getting this book in a short time and in pristine condition.

43 of 43 people found the following review helpful.
I love Jean's new book
By Amazon Customer
I really do love Jean Haines' Atmospheric Watercolors. She has a technique like no other artist I've seen (and I have a LOT of books). She shares her information freely and actually has made me feel like I can do some of those things. She works on 300 lb rough paper and I haven't treated myself to any of that yet. . .but I will soon! If I could save just one book in a fire or flood this would be it!

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Jumat, 10 Desember 2010

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  • Sales Rank: #2176015 in Books
  • Brand: James Bond
  • Published on: 1990-09
  • Original language: English
  • Dimensions: 12.00" h x 9.00" w x 1.00" l, 1.10 pounds
  • Binding: Paperback

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This exciting title in ABC-CLIO's Popular Culture in the Contemporary World series offers the nonspecialist reader the only up-to-date introduction to all facets of popular culture in China.


• Nearly 100 photographs show various aspects of popular culture in action, including rock concerts, theatrical performances, leisure pursuits, film stills, and more

• A glossary and bibliography provide access to terms and to further reading

  • Sales Rank: #392562 in Books
  • Brand: Brand: ABC-CLIO
  • Published on: 2007-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .94" w x 7.01" l, 2.17 pounds
  • Binding: Hardcover
  • 384 pages
Features
  • Used Book in Good Condition

Review
"This title is highly recommended for academic, public, and high-school libraries." - Booklist

"This work is recommended for libraries with a collection of Asian studies." - ARBA

About the Author

Kevin Latham is a lecturer in social anthropology of media at the School of Oriental and African Studies, University of London, London, England. He has written numerous articles on Chinese media, consumption, and popular culture.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Well researched, valuable reference book
By Matthew B. Christensen
As the editorial reviews state above, this is a reference book for libraries and specialists. The book is thorough, and the writing academic in nature. It is best used as a reference work. Anyone who is interested in such things as the development of rock music in China, the evolution of film, the role of newspapers in Chinese society, how Chinese spend their leisure time, and so on, will find this book a valuable resource. Each chapter ends with a section called "A to Z" which serves as a kind of review of the major names, terms, and events discussed in the chapter. I found this useful.

Since I am doing research on Chinese pop culture, I did read through the entire book and found it well written and well organized. It is a welcome addition to my library and I recommend it.

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  • Sales Rank: #3870888 in Books
  • Published on: 2006
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